LISTEN It's barely been a year since We Out Here ; Brownswood Recordings ' essential document of contemporary UK jazz. The compilation came at a point of critical mass for London's scene, heralding landmark releases from the likes of Shabaka Hutchings , Nubya Garcia , and Moses Boyd . Sunny Side Up hopes to tread a similar path with its diverse roster of Melbourne up-and-comers, many of whom are yet to see recognition on the world stage. It's a chance to acknowledge the city's development, both artistically and as a community, following in London's footsteps to re-invent jazz for the twenty-first century. If there's one thing linking these two scenes, it's a disregard for style. Opening cut Banksia sees drummer Phil Stroud lace sunburnt horn leads with a hefty dose of subliminal funk before Dufresne's Pick Up / Galaxy evolves the vibe into synth-laden Fela Kuti worship complete with scatted call and response. Later on, Audrey Powne